Spot the Difference. Gilcee print. @ art.com for wonderful wall art, prints, posters, paintings. |
1960s, and they came of age in the same decade, the 1980s.
I wasn't really into the music and cultural trends of that time and found hip hop and electronic pop music beyond my understanding. Yep, my kids thought I was out of it. I knew they felt the same way about my music as I did about theirs. But hey, let's move on from Elvis Pressley and the Everly Brothers, because I have recently discovered some fabulous women artists who were greatly influenced by the 1980s and whose art I now find fascinating.
Sharon Elphick is among them. Art historians note that during the 80s "influential art movements included Neo Geo, the Pictures Generation, and Neo-Expressionism." I admit these movements slid by me. I perked up a bit with the street art and graffiti movements, but it took a while to educate myself to these art forms. I'm still learning. It's enlightening, and fun.
There's not much biographical information about Sharon Elphick. She was born in the north of England and began her career as a textile artist. A few years after receiving an art degree in printed textiles, she moved from the more rural regions of the UK to London.
Elphick, Architectural landscapes in signature grids |
Graffiti.
She ran smack into the 1980s and absorbed it all. She was fascinated by the urban landscape, especially the high-rise architecture, and also the grafitti art of the time. They inspired a burst of creativity that made Elphick a popular and highly respected artist from the mid-1980s and 1990s to the present.
Her love of pattern and texture, her use of geographic forms, grids and close spaces, spoke to the modernism of her generation. Neo Geo. This is the art for which Elphick became widely known and also commercially successful. As an article in the UK's Metro Times in 2008 noted: "Sharon Elphick is best known for her inventive patterns built up from fragments of the urban landscape. High-rise flats are transformed into wallpaper, and aerosol spots and architectural angles rearranged into brightly coloured abstract grids reminiscent of the paintings of the futurists and vorticists* of the early 20th century."
Now that I've seen more images of her work I can see that it's all distinctively Sharon Elphick. Her inspiration and content may have shifted a bit, but she didn't abandon the signature style that made her art loved and sold, in all its variety. She saw patterns, architectural shapes, and geographic forms in nature too, styling them into contemporary structures and grids that balance the more traditional. In the process, she created some wonderful and eye-catching pop art urban gardens for us. How delightful is that?
Meanwhile, I am suggesting Sharon Elphick's art to my niece Ali, a nurse who's started her own interior design consulting business because she loves it. Her clients are eclectic, she says, so who knows but one of them might find Elphick as enchanting as Elton John did. Wallpaper, maybe, or a Gilcee print, a poster or a landscape painting. It's a whole new wonderful world.
New collages by Sharon Elphick weblog |
Elphick's gallery and shop, 160 Columbia Rd, London, for next time I'm there. |
* https://metro.co.uk/2008/08/13/sharon-elphicks-fleur-shows-consistency-in-change-378544/
Dorothy Shakespear, Composition in Blue and Black, 1914-15. She was Ezra Pound's wife. Amazing, isn't it? |
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