Rebecca Louise Law's art installation at the Toledo Museum of Art (TMA) was almost like standing under my Weeping Cherry tree in full bloom. We were immersed in a painting. |
Rebecca Law was made for this kind of art, coming as she did from seven generations of artists on her mother's side, and seven generations of gardners on her dad's side. "My very first installation with flowers was called Dahlia," the artist said. "My dad grew them in our garden." (arTMAtters, May-August 2018).
TMA Director of Curatorial Affairs Halona Norton-Westbrook became familiar with Law's work when she lived in London. "The installations...are truly immersive," she said. Law "melds together aspects of sculpture, painting, and installation art into a singular experience."
We didn't have the words, but we felt them as we walked through the unique installation.
At lunch I asked Andy and Teddy if they thought this kind of exhibit was art. Oh yes, they both agreed. The installation was like a living painting, with wonderful composition, design, movement, texture. They liked the colors, the shapes, the arrangements of strands of daisies next to a garland of hydrangea next to a garland of dried leaves from native Ohio trees. They loved the details, such fantastic details, and the larger picture they created. I wholeheartedly agreed. Rebecca Law's exhibit is a beautiful work of art and a wonderful respite from the daily anxieties of our contemporary lives.
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